Time Frame (Rough)

Unintentional Photographs

2 Time Frames (Unintentional Recording)

Grouped Silence

Silence?

Night, Love You.

Overlapped Radio Ga Ga.

Susan Philipzs "Lowlands" sound installation under the George V bridge by the River Clyde in Glasgow.

Part of the Glasgow International Festival Of Visual Art 2010.

'Songs as memorials; the presence of the past in empty spaces'

'So the song, while functioning as a memorial to something lost, is nevertheless very much alive, a half-full vessel that is topped up each time it is reframed by new contexts and references.'

'The emptiness of the white spaces in which they are heard produces in the viewer an increased awareness of their surroundings.'

http://www.frieze.com/issue/article/susan_philipsz/

John Cage "4'33"

'Silence is about listening, listening to small sounds, tiny sounds, quiet and loud sounds out of any context, musical, visual or otherwise. Silent sounds can be loud, as much as noisy sounds can be quiet, but they do not deafen my body to anything but themselves, and instead include me in their production.'

'When there is nothing to hear you start hearing things.'


Quieting CD MUSICWORKS No. 83, review by Darren Copeland
'Christof Migone's Quieting is really quiet. So quiet that the CD becomes entirely dependent on the listener's active participation in the sounds that not only ooze out of the CD literally every few minutes, but the sounds inhabiting one's environment at the time. There may in fact exist many more sounds that simply are not audible on this CD with a typical consumer stereo system. Is this a thumbing in the nose to the lack of aural attention in our culture? Or, is it a challenge to our hunger for constant noise, constant amusement whether we are consciously participating or not? I challenge the reader to purchase the CD, listen to it and keep count of the number of times you forget the CD is still playing. You will find that your acceptance of silence and inactivity may not be what you think it is! The notes to the CD indicate that the sounds used throughout the single work on it are derived from a recording of the cannon fired daily at noon hour at the Citadel in Halifax, Nova Scotia. One of the remarkable features of time signals like cannons and guns is the shocking threshold shift that occurs once they are sounded. Although Migone is creating a largely artificial soundscape around the cannon firing, benefiting no doubt from the increased dynamic range offered by digital audio techniques, he is still preserving the possibility of that shock by making excessive use of silence. In fact he is inviting the listener to contribute to the preparation of this shock experience by seducing him or her to turn up the stereo, to sink quietly into reflection, and then.... Bang!'

http://www.christofmigone.com/html/reviews.html